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The Interior Beauty Salon
  Rupestrian Sculptures Site /  Jaruco National Park, Cuba / Bacayú (Light of Day) and Maroya (Moon), (limestone carvings by Ana Mendieta) / Photograph: Aurora De Armendi Sobrino on January 2012

Rupestrian Sculptures Site / Jaruco National Park, Cuba / Bacayú (Light of Day) and Maroya (Moon), (limestone carvings by Ana Mendieta) / Photograph: Aurora De Armendi Sobrino on January 2012

 Bacayú (Light of Day) / Folio from:  Mythologies of Return: Revisiting Ana Mendieta’s Rupestrian Sculptures /  Photogravure with Chine Collé printed on Somerset Paper / Artist Book: 6.9 x 10.24 x 0.7 inches / Edition of 20, 56 pages, 2009 – 2017 / P

Bacayú (Light of Day) / Folio from: Mythologies of Return: Revisiting Ana Mendieta’s Rupestrian Sculptures / Photogravure with Chine Collé printed on Somerset Paper / Artist Book: 6.9 x 10.24 x 0.7 inches / Edition of 20, 56 pages, 2009 – 2017 / Photo: Argenis Apolinario

   Left: Guanaroca (The First Woman) /   Work and photograph by Ana Mendieta /  Rupestrian Sculpture Series /  Jaruco National Park, Cuba, 1981   Right:  Guanaroca (The First Woman ) / Folio from the artist book  Mythologies of Return: Revisitin

Left: Guanaroca (The First Woman) / Work and photograph by Ana Mendieta / Rupestrian Sculpture Series / Jaruco National Park, Cuba, 1981

 Right: Guanaroca (The First Woman) / Folio from the artist book Mythologies of Return: Revisiting Ana Mendieta’s Rupestrian Sculptures / Photogravure with Chine Collé printed Somerset Paper / Artist Book: 6.9 x 10.24 x 0.7 inches / Edition of 20, 56 pages, 2009 – 2017

  Libro de colores II / El monte y el mar /  Bound Monotypes  / Oil-based ink on Kitikata Paper / Closed Book / 20.2 x 14.1 inches / Open Book / 40.5  x 14.1  inches / Unique piece, 68 pages, 2016

Libro de colores II / El monte y el mar / Bound Monotypes  / Oil-based ink on Kitikata Paper / Closed Book / 20.2 x 14.1 inches / Open Book / 40.5  x 14.1  inches / Unique piece, 68 pages, 2016

  Libro de colores II / El monte y el mar /  Bound Monotypes / Oil-based ink on Kitikata Paper / Closed Book / 20.2 x 14.1 inches / Open Book / 40.5  x 14.1  inches / Unique piece, 68 page, 2016

Libro de colores II / El monte y el mar / Bound Monotypes / Oil-based ink on Kitikata Paper / Closed Book / 20.2 x 14.1 inches / Open Book / 40.5  x 14.1  inches / Unique piece, 68 page, 2016

  Libro de las preguntas, Yon Ti Liv Kesyon, A Book of Questions /  Photo: Rachel Crowe / Exhibition:  Record Keepers, Duke  Hall Gallery, James Madison University, Harrisonburg, Virginia, 2018 /   Curated by John Ros

Libro de las preguntas, Yon Ti Liv Kesyon, A Book of Questions / Photo: Rachel Crowe / Exhibition: Record Keepers, Duke Hall Gallery, James Madison University, Harrisonburg, Virginia, 2018 / Curated by John Ros

  Libro de las preguntas, Yon Ti Liv Kesyon, A Book of Questions /  Hand-dyed paper with silkscreen / Artist Book: 7 1/4 x 11 7/16 x 1 inches / Edition: 10. 2014 – 2015 / Photo: Roni Mocan

Libro de las preguntas, Yon Ti Liv Kesyon, A Book of Questions / Hand-dyed paper with silkscreen / Artist Book: 7 1/4 x 11 7/16 x 1 inches / Edition: 10. 2014 – 2015 / Photo: Roni Mocan

  EntreVistas /  Seven-channel video installation, Old Capitol Museum, Iowa City, IA. / Angel Gala, Antonio Díaz, Liset Alea, Marta Sobrino, Ofelia Cruz, Pedro Antonio Díaz González / Santa Fé Beach, Cuba. 2008– 2009 / Photo: Aurora De Armendi Sobrin

EntreVistas / Seven-channel video installation, Old Capitol Museum, Iowa City, IA. / Angel Gala, Antonio Díaz, Liset Alea, Marta Sobrino, Ofelia Cruz, Pedro Antonio Díaz González / Santa Fé Beach, Cuba. 2008– 2009 / Photo: Aurora De Armendi Sobrino

  Clay Pages /  Dimensions variable using different clay bodies, 2016, 2018, 2019 / Photo: Argenis Apolinario

Clay Pages / Dimensions variable using different clay bodies, 2016, 2018, 2019 / Photo: Argenis Apolinario

  Clay Pages /  Dimensions variable using different clay bodies, 2016, 2018, 2019 / Photo: Argenis Apolinario

Clay Pages / Dimensions variable using different clay bodies, 2016, 2018, 2019 / Photo: Argenis Apolinario

  Drawing Together / Dibujando juntas with Amy Pryo r / Color pencil on paper, 2022

Drawing Together / Dibujando juntas with Amy Pryor / Color pencil on paper, 2022

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  Rupestrian Sculptures Site /  Jaruco National Park, Cuba / Bacayú (Light of Day) and Maroya (Moon), (limestone carvings by Ana Mendieta) / Photograph: Aurora De Armendi Sobrino on January 2012
 Bacayú (Light of Day) / Folio from:  Mythologies of Return: Revisiting Ana Mendieta’s Rupestrian Sculptures /  Photogravure with Chine Collé printed on Somerset Paper / Artist Book: 6.9 x 10.24 x 0.7 inches / Edition of 20, 56 pages, 2009 – 2017 / P
   Left: Guanaroca (The First Woman) /   Work and photograph by Ana Mendieta /  Rupestrian Sculpture Series /  Jaruco National Park, Cuba, 1981   Right:  Guanaroca (The First Woman ) / Folio from the artist book  Mythologies of Return: Revisitin
  Libro de colores II / El monte y el mar /  Bound Monotypes  / Oil-based ink on Kitikata Paper / Closed Book / 20.2 x 14.1 inches / Open Book / 40.5  x 14.1  inches / Unique piece, 68 pages, 2016
  Libro de colores II / El monte y el mar /  Bound Monotypes / Oil-based ink on Kitikata Paper / Closed Book / 20.2 x 14.1 inches / Open Book / 40.5  x 14.1  inches / Unique piece, 68 page, 2016
  Libro de las preguntas, Yon Ti Liv Kesyon, A Book of Questions /  Photo: Rachel Crowe / Exhibition:  Record Keepers, Duke  Hall Gallery, James Madison University, Harrisonburg, Virginia, 2018 /   Curated by John Ros
  Libro de las preguntas, Yon Ti Liv Kesyon, A Book of Questions /  Hand-dyed paper with silkscreen / Artist Book: 7 1/4 x 11 7/16 x 1 inches / Edition: 10. 2014 – 2015 / Photo: Roni Mocan
  EntreVistas /  Seven-channel video installation, Old Capitol Museum, Iowa City, IA. / Angel Gala, Antonio Díaz, Liset Alea, Marta Sobrino, Ofelia Cruz, Pedro Antonio Díaz González / Santa Fé Beach, Cuba. 2008– 2009 / Photo: Aurora De Armendi Sobrin
  Clay Pages /  Dimensions variable using different clay bodies, 2016, 2018, 2019 / Photo: Argenis Apolinario
  Clay Pages /  Dimensions variable using different clay bodies, 2016, 2018, 2019 / Photo: Argenis Apolinario
  Drawing Together / Dibujando juntas with Amy Pryo r / Color pencil on paper, 2022
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